Underworld in Martin Scorsese and Ram Gopal Varma’s Cinema

dc.contributor.authorKaushik, dr. narendra
dc.contributor.authorKasana, ajay
dc.date.accessioned2023-12-02T08:43:24Z
dc.date.available2023-12-02T08:43:24Z
dc.date.issued2021-09-01
dc.description.abstractMartin Scorsese and Ram Gopal Varma have their own vision to showcase the mafia world on the silver screen. If Scorsese along with Fritz Lang, Brian De Palma, Takashi Miike, Francis Ford Coppola, and Quentin Tarantino is considered the master of gangster cinema in English, Japanese and German films Varma, Mahesh Manjrekar, Apoorva Lakhia, and Anurag Kashyap have largely portrayed the cool Mafiosi in their films in Bollywood. But nothing quite comes close to GoodFellas (1990) whose inspiration reflects in about a dozen films and television shows. Similarly, Varma is called an agent provocateur largely because of Satya (1998). Like GoodFellas, Gangs of New York (2002) is also about underworld and based on a non-fiction book. In the case of Varma, he followed Satya with Company, a film also about the rise and the end of the underworld. This research study aims to understand the process of direction and the stories of the sample films of Martin Scorsese and sample films of Ram Gopal Varma. It is to analyze the difference and similarities between their craft. The four key elements to be analyzed are portrayal of the characters, fascination of the two directors for the underworld, taking cinematic liberty to tell the story and relevance of the story in today’s time.
dc.identifier.issn2582-2802
dc.identifier.urihttp://192.168.2.196:4000/handle/123456789/175
dc.language.isoen
dc.publisherChainany E-Journal
dc.titleUnderworld in Martin Scorsese and Ram Gopal Varma’s Cinema
dc.title.alternative: A Comparative Content Analysis of their Directorial Aesthetics based on Select Films
dc.typeArticle
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